mike Dodd

In Mike's own words . . .

Form, quality of surface, sensitivity of touch, appropriateness of clay and firing incidentals all contribute to a visual and tactile language more visceral than conceptual, which deepens through continual acquaintance and use.

To help develop this language I use naturally occurring rocks, clays and wood-ashes in formulating glazes. The complex of metal oxides present in granite, hornsfels, andesite and basalt provide unique and beautiful glazes closely related to Mother Earth's seasonal colours.

The search for strong form and for glazes which can enhance and elucidate this formal language requires commitment and continual choice.

Finally, the work is surrendered to the fire. Although disasters occur, they are more than compensated by "gifts from the kiln" - those pots that are better than you could have hoped for. These prove the spur to deepen understanding - an understanding, it is hoped, which quietly communicates itself at times of use and contemplation.